In clay: Sympathy - commissioned in the light of a recent experience

The Listener at Bebb Fine Art in Ludlow

Seated clay in transit

Amai and Eloise feature at Windermere Fine Art in Cumbria

Anna Weightman sculpture 'Amai' in clay

During construction in Zimbabwean garden: Amai in clay

A work in progress - seated nude

Anna amidst her work

Behind the scenes: Anna working on a clay.

Work in progress: The Listener

Self reference

Paul Joyce turns the sculptures from clay into bronze at the foundry

Making of: The Listener - Paul Joyce creates a bronze from the clay

Day Off in progress

In clay: Resurgence

For posterity: Anna made a plaster cast of Rebecca’s bum

Surrounded by inspiration

Seated clay in process

In clay: Resurgence

At the foundry: Amai by Anna Weightman. This is before the patination process which gives them lustre.

At the foundry: twin unpatinated bronzes of Amai

Anna at an exhibition of her entire collection at Galerie Kuhn in Berlin, 2015. In this photo: Childbirth and Alexander.

Completion of patination at foundry by Paul Joyce

Sympathy - Completion of patination at foundry by Paul Joyce

Two waxes of Amai at Paul Joyce’s bronze foundry

Day Off at the foundry

Abstract figurative work in progress

Anna’s son Gabriel who was the model for Surrender

Simon Lilley crafted bases for several of Anna’s bronzes

Tools of the trade

Anna at an exhibition of her sculptures in the German castle Burg Lichtenfels

Behind the scenes: modelling rear view of Resurgence

In clay: The Listener

Amai with Ingleborough behind

Anna with a young child in Zimbabwe

This child was the inspiration for the sculpture Amai.

Two kind Zimbabwean friends creating air transportation box for Amai

In wax: Surrender at Paul Joyce’s bronze foundry

Anna with Patrick Mavros at his silver foundry

In wax: Zoë at Paul Joyce’s bronze foundry

Intermediate wax of Imogen at Paul Joyce’s bronze foundry

Beseeching - work in progress

Close up of model for Surrender

A menagerie of clays

Working from life

Anna sculpting The Listener in her studio alongside daughter Dezzy painting

Sculptor John McGill making resin cast of Anna’s backside

Sculptor Victor Issa has been a great influence in Anna’s work